
Installation shot, The Abstract Truth of Things 2 person show with Andrew Pierre Hart at Tiwani Contemporary Gallery, 2020

Eternal Cycles of Being, Graphite, pencil, watercolour, sgraffito and ink on claybord. 2020

The Infinite Threshold, Graphite, pencil, watercolour, sgraffito and ink on Claybord, 2020
The use of material often plays a part in the stories I want to tell. Working on a clay surface enabled me to express the idea of being between worlds. These panels are coated with Kaolin Clay which are often used as a substance on African masks because white is a colour which represents the world of the unseen. I wanted the women in these claybord panels to be almost like threshold guardians of the universal realm.